Showing posts with label Robert Pirfo. Show all posts
Showing posts with label Robert Pirfo. Show all posts

Tuesday, 19 April 2011

G324 Evaluation by Robert Pirfo

Q1- In what ways does your media product use, develop or challenge forms and conventions of real media products?


Our music video product I feel both challenges and follows forms and conventions of real media products that have already been produced to the world using a form of media to release to the general public. Our video is from the genre dubstep. Dubstep is a growing new music genre and is a mix between other genres which I believe has made it popular. Our music video is a cross between a narrative storyline and a performance based video. It has this blend of two structures as it gives the video more emphasis and is less general in comparison with other dubstep music videos that have been produced recently.

It was necessary therefore to produce a video with two structures to it and in our case narrative and performance based. The narrative part of the music video consists of one of our actors who is portrayed to be an alcoholic and a drug addict. This actor in the video has no real purpose in life and is lonely and has no one to turn to for help and tries to find answers within her. Our music video is fundamentally based on this fact as it gives the audience an eerie feeling towards this portrayed character. This I feel does not follow forms and conventions for other similar media products in this music genre. However, our other actor is more of the performance side of the music video. She was also a very key component to getting the blend right in our music video between the two structures in the video. Her part in our video was to lip sink our chosen song which is called Eyes on Fire Remix by Zeds Dead.






This is a common feature in many music videos and we as group were influenced by this is as it would be a pointless video that would be boring if was focused on only one of our actors. Therefore, we as a group felt it was necessary to research into music video and compare and contrast a textual analysis of a music video. This part of the video where our actor is lip sinking to the song gives the video professionalism as it is a key features to almost any music video that has been released to real media throughout history.

In fact my textual analysis on Katy B on a Mission uses this consistently throughout the song and has the same structure to her music video as it does to our music video. In regards to this I personally have been influenced greatly by other music videos in particular this one as it is similar in many ways to ours. It is similar to our music video as it is the same genre and consists of the same music video structure with being narrative and performance based.





Our use of the camera throughout our music video is consistently creative throughout and twists and turns throughout with the use of some inspired editing. The use of mise-en-scene in any music video is key to success and failure and as collectively as a group we took time to think our creative ways to make our characters and locations match what we had in ambition to make dubstep music video.

The use of editing is a make or break point for a music video and our video I believe has a sense of a professional look to it all. The use of editing in our video in some ways challenges both forms and conventions of other real media products as our video has a sense of evil to it all. The sense of evil comes from the constant reminder of one our actors constantly being revolved around alcohol and drug abuse. This evil side does deviate from established dubstep music videos as modern dubstep videos are usually about partying and having a good time with friends and ours in this sense is the complete opposite as it is dark and through editing it is emphasised greatly.

The point in the video where our actor is lying on a bed in hotel room where she has almost passed out through excess of alcohol and drugs is a pivotal moment to the storyline and concept of our music video. With editing Julio managed to replicate our actor’s body and almost become a guardian looking over herself. Which points out the inevitable that she is damaging herself and not going far in life at all?





Using mise-en-scene was crucial to our video and is evident that we as a group thought ideas through thoroughly in order to make our video a professional standard. The use of locations was major and we came to the decision to go to the backstreets in London near Oxford Street in the depths of the British winter to emphasise that our actor had nowhere to go and no one to be with at this time of year close to Christmas and is dressed to a reasonable standard to emphasise that any class of society can fall into the trap of drug and alcohol misuse.

She is portrayed to be an addict as she snorts cocaine in the middle of a back street in a dirty alley. This again does deviate from conventional dubstep videos as many dubstep videos are focused on having a good time and being together with friends and even family.


With our camera this is where we focused our attention on the most and drew up sufficient storyboards to illustrate what shots we would be shooting in that particular scene. Throughout our music video we used a lot of tracking shots which makes it feel that someone is always watching you and once again gives that extra dark side edge to the video. This is particularly evident when our actor is walking through an alley in London by herself in the dark and feels as if she is being followed by someone or in fact wants to be followed by someone. We also used a lot of panning and close up shots of Sophia our lip sinker.

This was used to give the sense of realism to the audience and is a common feature in many dubstep music videos and follows music videos in general. But by far my favourite shot throughout the entire music video is when our other actor Joedy is portrayed to be high on drugs in certain shot and is laughing in hysterics at the camera and seems really messed up and needs help.


Q2- How effective is the combination of your main product and ancillary texts?


It is really important when a band or an artist is marketing towards a niche
audience. As their targeting towards a minority, the marketing has to reach
specifically to them. This will represent them as an artist/band creating
popularity. This is important as the music videos are very creative and
independent which stands out from the majority. The success of marketing will
affect the popularity of the artists or band. In our music video we have developed certain branding elements within the music video.

For example, in our music video we have branded at almost a niche market in terms of the concept of our music video. I think it has branded at a niche market as this is a new type of dubstep music video and differs from other successful ones in the market place with traditional branding such as raves and fast free flowing music. Our music video has a different sense of belonging in terms of the video being branded as our video has a sinister and evil side to it (as described in Q1).

So the branding elements that we as a group developed in the music video are very little. The reason for this is I believe is that it is a new style of dubstep music video. Due to the sinister and evil side of the music video we had to develop different types of branding within the video. For example, a lot of our music video was shot in the dark and we used a lot of creativity from the lighting. This is evident in the development work of our digipak and magazine advert. The combination between our main product and our ancillary texts I believe match exactly and combine very well and have a lot of synergy between them.

The branding elements we have followed through with the digipak has a lasting effect which people will remember when they view our digipak as it has a very professional feel around it and looks like that we have spent time carefully thinking how to brand this digipak to maximize its identity. The ideas that are seen on the digipak originated from the music video. The ideas such as our actor Sophia standing on the corner of a dark street in London for the video makes a perfect front cover for our digipak. Another part of our digipak that is usually branded in almost every digipak in modern society is advertising where to follow the band Zeds Dead and marketing the band via the inner sleeve of our digipak.

Our digipak does follow established forms and conventions in lots of ways similar to ours does. Our digipak on the front cover has the lyrics to the song and has been edited to follow other digipak’s in the market that promote dubstep albums. Our front cover of the digipak has the lyrics to our song Eyes on Fire Remix. This is a common feature for lots of albums with digipak’s whether it is on the front cover or on the inside or on the back cover of the digipak. The choice of the text and colour was agreed by all of our group and our lecturer who thought that it combined well and emphasised the lyrics to match with the beat of our song. So therefore, our group has been influenced by other digipak designs. We were influenced by other similar digipak’s that have used similar ideas that we eventually went on to produce in our digipak. For example, our digipak cover with Sophia is very similar to the front cover album of Kay B who also sings in the dubstep genre. It is very similar as her body is on the front of the cover with a street behind her which is almost identical to our cover.

Our magazine advert for our print products is a very typical idea that is replicated in other real media products. Our magazine advert you could say is a branded element as it used all over the globe in several magazines. The magazine advert consists of Sophia standing in a tunnel on the north circular. Obviously it has been edited to a great effect with the use of special effects which make the advert distorted with vehicles in the background and has come out to a really good standard. This idea of the singer being edited to stand out on the front of the magazine cover has been well developed over the years and is a very common feature. So therefore our magazine cover does follow conventional established forms and conventions in the real media. It follows forms and conventions in the real media as we were inspired by other magazines such as Vibe and NME magazines which use the same concept as we have chosen to use in our magazine advert.

They use the same concept where they have the latest up and coming artist spread across the front on the magazine on the front the page. All music magazines all seem to use vibrant colours to emphasise the artist and the artist is usually spread out across the page to fill up the page. Our magazine advert is different in this aspect as Sophia is in the middle of the page but covering the whole page as we tried to be different in this aspect and try to make to the audience see what is going on in the whole page and not just the artist in many cases.


Q3- What have you learned from your audience feedback?

From our initial target audience research there were some interesting results that we analysed and drew conclusions from. Firstly, the majority of our results were from the male audience from all four of our questionnaires that we did. It was not very surprising that when we looked at the results that the most popular music genre from four questionnaires was Hip hop and RnB. This is inevitable in the young generation on taste in music from our questionnaire results as around 90% that completed the questionnaire were aged 16-24.

This is a typical view I feel as the majority of the younger generation do like Hip hop and RnB due to its fast pace and stylish videos. From our four questionnaires we also noticed that over half of our audience had an Asian ethnicity. You got be stereotypical and say that from our questionnaire the majority of Asian people do prefer Hip and RnB music to rock for example. Our target audience did have their preferences over some our questions and their own taste and aspect towards music.

From our results we drew a conclusion that the majority of our respondents do listen to music by independent bands and artists and the majority does listen to the genre Dubstep and Drum and Bass. Dubstep of course was our choice for our music video. However, the most interesting point we took from our analysing from our questionnaire was the fact that 30 of our respondents answered that a song affects their own opinion on the music video that will be produced for that song. So our target audience profile would be aimed at the age group of 16-24 as they were the majority respondents and did like Dubstep as a music genre. The gender outcome is a mix as the ratio was nearly 50:50 between the respondents so our profile should be aimed at both male and female which gives it a non bias outcome for results. Finally, our ethnicity profile will be predominantly aimed at the Asian background as they were the main respondents from our initial target audience. So therefore it would be pointless in aiming our profile not at the Asian background.





However, from our audience feedback. Which was from our main video product and its ancillary products. The majority of our respondents from our audience feedback thought our final music video and print products were to the highest standard that they had seen at this level. However, more than half of our sample survey did not understand the storyline. This came as a big dissapointment to me and our group as it looked like that we had designed a random idea and not thought it through. This was quite the opposite. On the other hand, the majority agreed and liked our use of the visual effects. Our audience really enjoyed the fact that they got to know the artist as the video went on for possible future releases. Our audience also found that the whole abusing and mistreating added to the disorientation towards the video. For example, drinking vodka from a wine class and abusing her social class.

The most pleasing fact from our audience feedback on our digipak is that our audience enjoyed the disorientation feel towards the advert in particular and full understood what we were trying to achieve. The 3D special effects and the vibrant seemed to be liked a lot from my audience feedback. This was very satisfying as we aimed to achieve this from the planning stage which is evident in the storyboarding.
However, my respondents did not think our digipak was up to professional standards which was very dissapointing. Especially due to the fact that a lot of planning went into the digipak process and Julio spent many hours producing the fininshed product. They advised me that our ideas were perhaps to complex for the task we had been set and the use of a simpler idea might have been more beneficial for us

The elements that we built into our song were of an interesting variety to appeal to the Dubstep fans and other similar music genre in the real media. For our music video we chose the song Eyes on Fire Remix by Zeds Dead. This song is in its own way unique as it is a different type of a Dubstep song. So therefore, the elements we built into our music video were somewhat different from the average Dubstep video. In our music video there was no hero or villain so to speak. However, our actor Joedy was portrayed to be our depressed character that was going no where in life and only had drugs and alcohol to turn to when she was downbeat.

You could say that Joedy did not really represent a social class as she is portrayed to be middle class by the mise-en-scene we used to portray her in the music video. So in a way it does appeal to particular audiences that maybe depressed or even turning to alcohol and drug abuse as there is no one to help them. I feel we maximised this in our music video particularly when there is a shot of Joedy on a bed near to the end of the video. She has pretty much passed out through an excess of drugs and alcohol and we edited to show a somewhat guardian looking over herself to show the damage that she is doing to herself in the context of the music video. So from a certain point there is a sense of the audience sympathising with this particular character as she is portrayed as being helpless. The elements I feel were crucial in getting the music video right and appealing to our potential audience from our initial feedback. I think we as a group chose the right song as it was very different to conventional Dubstep music videos. I think our video in particular is different in its own way as it has a certain amount of evil and being sinister being attached to the music video somehow. This is different and almost unique in competing with professional music videos in the real media.

In regards to meeting expectations set for our group I firmly feel we have delivered on the final video, digipak and magazine advert front. I feel we have stood up to our expectations and produced a very high level of quality for our final products which was recognised by our teacher and our target audience. I feel in particular we exceeded expectations for our final music video. This is where our creativity as a group really came alive and the editing that was done by Julio. We went with a narrative and performance based music video which with our choice of song Eyes on Fire remix really combined well with each other. All of the conventions after that all fell into place due to our good planning and creativity. We used many different locations to shoot our video which we thought long hard over for the mis-en-scene. We went to a hotel called the Grims Dyke which is very highly regarded in terms of luxury and class.

We decided to go there for the final scenes of the video where Joedy our actor is in the hotel room which is the finest hotel suite they had. The other locations we chose were also carefully chosen to fit in with our ideas and our actors. The use of the backstreets in Oxford Circus and Piccadilly Circus really emphasised the fact that we really put a lot of effort into this as for the London shots the weather was really appalling as it was snowing and the temperature was freezing. However, this made our camera shots even better due to the fact that our video has an evil and sinister side to it. The mise-en-scene was vital also as it had to be put to great effect to emphasise the point we were making. The props our actors had to use were all for the effect and the appeal of the audience. Our actors both were dressed to assume they were both middle class and just your average teenager. But that is far from the point as this was all thought and put to great effect.

The magazine advert cover has been put to great use through the editing skills used in Photoshop. The distortion of Sophia our other actor really emphasizes the location of the advert which is a tunnel of the north circular in London. This advert promotes the band efficiently almost like an advert you would see at the cinema for a film which does really draw the attention of our potential audience. The use of the image along with the text and colour makes our magazine advert stand out amongst the crowd. The use of the image is well used in terms of it is almost a USP as not many other groups would have thought to use an idea like this one as Sophia is standing in the middle of a tunnel with traffic. The use of colour blends the picture completely with the neutral colour white and the pink border around the white text. This in someway makes Sophia seem bigger than the traffic behind her and fills the gap and makes her centre stage to certain extent.

Our digipak is of a professional standard I believe and certainly would stand out if it were to go on mass produce sale in a leading music shop such as HMV. Our digipak front cover does stand out with its use of colour which is black to make the text and Sophia stand out on the cover. Our front cover for the digipak shows the simplicity of the idea which in turn does make it actually better than a complex idea. It has the names of the songs on the back cover sung by the band with 5 songs to listen to. We have also carried on with the idea with the text where the text colour is still white but this time with a red border instead of pink to compliment the black background of the cover. The front cover also promotes the band through social networking sites such as MySpace which is often used by independent artists and bands to get recognition and to promote themselves for free.

Overall I believe that our finished products would stand up to professional products in the market place and compete with leading artists and brands. I think it could stand up and compete due to the fact that it is almost unique and it is Dubstep which is an up and coming music genre that is getting more popular day in day out.

Our video certainly has that wow factor that is needed to be competitive and encourage people to buy the album instead of downloading the album due to the high quality of the advert and the digipak. I would like to say that we would be ideally promoted by a major record label and sold widespread throughout the world but this would be tough to accomplish. However, bands such as the Arctic Monkeys can be used for great inspiration as they initially were unsigned for a period of time and are now part of a major record label.






Q4- How did you use new media technologies in the research, planning, construction and evaluation stages?

Without the use of new media technology this whole entire unit theoretically would be almost impossible to complete to a professional standard. The use of technology has been vital in every stage of this coursework. The use of the internet has been vital. Otherwise we would not have been able to blog our work and products. The use of search engines has always been important especially for research into a particular subject such as my research into star image and power. The internet was very important for this as it allowed me to research into that field and provides an evaluative response to the question on star image and power. The use of social networking websites for me personally was really important. It was important as it allowed me to upload my questionnaires. This allowed me to get some feedback from people on my friends list of Facebook for my audience feedback and our initial questionnaire results for whom to target our audience profile at. Facebook as a social networking website did really me a great deal as it was a time efficient way of getting some quick feedback from my friends. I also used my MySpace account to upload our song Eyes on Fire Remix which also helped a great deal as I got further feedback from my friends who listened to the song which was linked to YouTube.







Julio who did volunteer to be the editor I believe has done a great job. I did contribute and help Julio in the editing suite. I did little editing with the programme Final Cut Pro but I did log shots and help create the time line on the the actual music video. This was vital as it is part of the miscellaneous which needed to be done and can be seen on the blog. However, we all did contribute in the editing suite with advice on which special effects to use and perhaps what colour would look better from a directors point of view. However, the college and the facilities they had were second to none and were brilliant. But, there were times when computers were all occupied and had to wait for other students to finish with them. This was rather annoying and I felt we lost time in the editing suite which is not productive at all.



For the actual construction of the music video, we used the Canon XM2 camcorder. To get thebest qualities from this particular camcorder we needed to know how to set up the extra effects that you would not normally use in every day life. For example, the white balance in particular so that our shots would be clear and not grainy and dark due to the shots we were using in London in the dark. The use of the redhead lights and the lilliputs were non-existent as we were advised we did not need them for our production. I disagreed with this as I had used them in my AS level production and the effect it gives for lighting was really good as you can use a variety of different colours to slide over the light. The use of the playback feature was perhaps the most important feature to this camcorder. This was due to the fact that we had to re shoot on more than one occasion due to poor shots from a previous production shoot in the studio in college. This was a big inconvenience for our actor and group members as we had to reschedule to everybodies preference which wasted even more time.



However, the evaluation process as you can see needed the input of the technology as you cant show videos on a blog on a piece of paper. The use of blogger has come to an important effect to make my evaluation a visual experience for whoever decides to view it. It also makes the use of the images stand out and gives the essay format some meaning and not making it to dull and boring. It is all about the visual experience I feel and connecting with your audience to make it a special experience and give it a lasting effect to the audience and give them a certain wow factor. The only downside with use of blogger is that it is very time consuming. For example, to upload my textual analysis took a very long time as you have to upload every single picture one at a time. This can be very confusing when you have many pictures to upload.


Sunday, 10 April 2011

The Music VIdeo

Audience Feedback Questionnaire

Did you enjoy the song?

( ) Yes ( ) No

Were you able to understand the storyline of the music video?

( ) Yes ( ) No

Did you feel that in the video there were particular camera shots that you liked or felt it was effective?

( ) Yes ( ) No ( ) Don’t know

Did you feel that the visual effects of the video played an important part in portraying a mood of disorientation?

( ) Yes ( ) No ( ) Don’t know

Did you feel the acting in the video was up to professional standards?

( ) Yes ( ) No

Did you feel the props used were believable? (for example, use of fake blood and cocaine)

( ) Yes ( ) No

Did you enjoy the locations used?

( ) Yes ( ) No ( ) Don’t know

Did you feel that the music video was up to professional standards?

( ) Yes ( ) No

Did you feel that the magazine advertisement was up to professional standards?

( ) Yes ( ) No

Did you feel that the magazine advertisement helped to portray a mood of disorientation?

( ) Yes ( ) No




Did you find the use of having links to the artist’s social networking websites in the inner-sleeve will make more likely to visit their website, rather than the use of an individual domain website?

( ) Yes ( ) No ( ) I do not use social networking websites

Did you feel that the design of the digipak was up to professional standards?

( ) Yes ( ) No

Which aspects of the project did you feel helped to portray a brand/identity of professionalism?

( ) The video ( ) The magazine advertisement
( ) Digipak cover ( ) Innersleve

What did not like about the video?

……………………………………………………………………

Would go to buy the digipak after watching the video and seeing the advertisement?

( ) Yes ( ) No ( ) I do not buy music in general
( ) I would download it if it were a legal free download

Sunday, 7 November 2010

Target Audience Research - Example of the Questionnaire

Questionnaire – Music Videos


1) Are you
[ ] Male [ ] Female

2) Which age group are you within?
[ ] -15 [ ] 16-24 [ ] 25-30 [ ]31-40 [ ] 41+

3) What race are you?
[ ] White [ ] Black [ ] Asian [ ] Mixed (please specify) …………...
[ ] Prefer not to say [ ] Other (please specify) …………...

4) What is currently your favourite music video?
Song - …………………………………………..
Artist - …………………………………………..
Genre - …………………………………………

5) What are your favourite aspects of a music video do you enjoy?
[ ] The Performance [ ] A Narrative [ ] A Concept
[ ] Visual Art/Abstract [ ] CGI/Animation
[ ] Something we did not mention (please specify) …………………………..

6) What are your favourite music genres?
[ ] Hip-hop [ ] R&B [ ] Rock [ ] Soft Rock
[ ] Acoustic [ ] Folk [ ] Electronic [ ]House
[ ] Garage [ ] Dubstep [ ] Drum and bass [ ] Pop
[ ] A genre that was not mentioned (please specify) …………………………

7) Has a music video ever changed your opinion of a song, in either a positive or negative way?
[ ] Yes Positively [ ] No Positively [ ] Depends on the genre
[ ] Yes Negatively [ ] No Negatively

8) Do you watch music videos music videos made by independent/unsigned artists?
[ ] Yes [ ] No [ ] Don’t know

9) Which do you prefer a music video to be shot in?
[ ] Interior studio [ ] External location
[ ] Mixture [ ] Doesn’t matter

10) Do you feel that a music genre should stick to particular music video styles and stereotypes?
[ ] Yes [ ] No

Conclusion drawn from the in depth interviews


From our research documents our group had to individually pick 2 different people to interview in depth with 2 different questions for each interview. All members in our group successfully got enough information from their interviews for me to draw conclusions from them.

Firstly, Julio first interview came back with some interesting results. The person he interviewed answered that their favourite music genre is rap. The person who answered gave good reasons why they enjoyed rap music the best. They enjoyed rap music as they answered that the changing moods and ambitions through different songs made rap songs catchy and easy to pick up the lyrics. Their favourite music video was also a rap video made by Eminem. The song made by Eminem that was their favourite was Loose Yourself. From the second interview Julio questioned someone on didn’t have a favourite genre as the person liked a bit of everything but did prefer hip-hop more than other genres. The reason this person gave for preferring hip-hop was that it can be relaxing and you can relate to people about the song and the lyrics.

In conclusion to Julio’s in depth questionnaire results it is evident that Dubstep is not recognised in both interviews as a recognised music genre. This evident in the second interview as the respondent answers that “I’m only just getting into it now”. This suggests that in this case the Dubstep is a new type of music genre. However, in both interviews both people like the fact that the music they prefer is catchy and something they can relate to with friends.

From the remaining in depth interviews every respondent is very familiar with the music genre Dubstep and know a lot about Dubstep and are quite analytical with what they like about it. For example, in Rahul’s in depth interview the respondent in interview 1 likes “the anticipation of the drop”. Hip-hop is also recognised as a favourite music genre in more than 1 case in all of our 4 in depth interviews. This could suggest that Hip-hop in young people aged 16-24 like Hip-hop the most as there favourite music genre. The conclusions that I can also draw is that in our case people have answered that they like the drum and bass side to the music genre Dubstep. Dubstep music can be generalised from our results from our in depth questionnaires as it is referred to being similar to other genres such as Drum and Bass, Electronic and Dance. This is actually quite true as Dubstep is a mixture of these types of music genres.

In conclusion to all the in depth interviews our group did. It is evident that Dubstep music is generally recognised and is well like from our results. However, it also has to be said that Dubstep is regarded as similar to other music genres earlier mentioned above e.g. electronic.

In Depth Interview

In-Depth interview-response 1

1) What is your favourite music genre and why?

My favourite music genre would have to be electronic. I really like electronic as the songs has a fast pace to it. The fast pace makes a song more interesting for me as you remember the chorus and the key points of the song really quickly and can pick it up after only listening to it once. There is almost a sense of reality with most electronic songs as it has some sort of storyline to it and how it has affected the artist in some way.

2) What is you favourite music video and why?

My favourite music video of all time has to be Smack My Bitch Up by The Prodigy. This song to me is something very special. This is because it has a great storyline and at the same time it plays with your mind as the ending is something special. I think this music video is special as 99.9% of people who watch this presume that the there will be a man at the end with the woman in the bedroom. But, it is a great reverse psychology as it turns out to be a woman instead of a man. I immensely enjoyed the narrative style music video for this song as it stereotyped some people in particular.

3) Are you familiar with Dubstep music, if so, what ideas come into your mind?

I am not too familiar with Dubstep music as I am only just recently getting into it. However, from what I have heard from friends is that it is really good style of music and gives you a buzz. I imagine that most gigs for Dubstep music is very dark setting and has lots of people raving to the music.

In-Depth interview-response 2

1) What is your favourite music genre and why?

My favourite music genre is rock. Rock music for me defines music. Rock is the most interesting music genre in my opinion. Going to rock gigs/concerts are amazing as you feel part of the band as they are intimate with their fans. I love the fact that in rock music the artists/bands actually have to be talented and not just talk rubbish like rap music for example.

2) What is you favourite music video and why?

My favourite music video would by far have to be Rockstar by Nickelback as the song is about what the rock star wants from life. This is my favourite music video because I feel that the song is down to earth and is realistic in comparison with some music videos. The music video itself is very clever as it portrays a message to people that if they want something bad enough they will get it. Overall this music video is a fantasy to this rock band who wants everything from life ranging from money to women.

3) Are you familiar with Dubstep music, if so, what ideas come into your mind?

What’s Dubstep?

Initial Proposal Idea

From my research and findings I have come up with a suitable idea for my ideas for our music video proposal. My findings from my research come from a band which genre is electronic. The song is sung by a band called The Prodigy. The Prodigy mainly sings only drum and bass and also has a few electronic songs. The song that I really like the song Smack my bitch up by The Prodigy and has inspired me with some of their ideas that I can include in my music proposal.

The ideas I really like is the twist at the end of the music video as nearly everybody thinks that the person who he/she is involved with in the bedroom is going to be a man as the person he is with is a woman from a strip club that he/she actually visited earlier that night. The twist at the end is that the person you think is a man is actually a woman who is a homosexual.

The ideas that I would like to use for my music video proposal are use throughout the whole video in Smack my Bitch up by The Prodigy. For example, the fact that the video is shot in 1st person mode really excites me as we could use it for our music video eventually. If we shot our music video in 1st person mode throughout our own music video I think it would have a really good impact as it would be something different. I think that in our music video we should have a man not much older than 21. The man should have the camera attached to his chest so that the shots are in 1st person mode and the viewers can see everything that our actor can see. My ideas are inspired by this video below.




In our music video I also think that we should cut back to another actor in a studio lip sinking our choice of song which is called Eyes on fire by Blue foundation but is a remix by Zeds Dead. This would add to our video time and would be appropriate and innovative to our music video. Our actor being filmed throughout the city of London at night time should be filmed in several different locations. For example, Oxford street, London Eye, River Thames and Camden Town. The pictures shots below are the locations I would like to film at.


Camden Town



















Oxford Steet
















The London Eye on The River Thames

Conclusions drawn from Ideology, Representation, Star image and Power

When our group made the project schedule for our A2 media coursework it was decided and agreed that Star image and Power would be written up by myself and Ideology and Representation to be written up by Janay from our group and I would also draw the final conclusions about what we had found.
Firstly, representation can be defined as “a creation that is a visual or tangible rendering of someone or something”. This in turn means that something is created and is made to represent something. For example, glasses which make you think specsavers. The conclusions I can draw about representation is that music videos in this case has vast material to analyse as the concept and ideas behind music videos has changed vastly over the previous years and it can now be said music videos have changed into a “scandalous late-night after watershed hours screenplay”. Conclusions can also be drawn from the fact that music videos represent many different such as nationality, culture, religion and race. Certain music videos sometimes can be very controversial. For example, The Prodigy- Smack my bitch up. This certain music video caused masses of controversy and it lead to the video only being able to be shown after watershed due to its explicit nature as shown in the youtube video link below.




Ideology can be defined as “body of beliefs or principles belonging to an individual or group; the study of the origin and nature of ideas”. This in turn means that someone’s belief actually belongs to an individual group. For example, a Buddhist belongs to a monastery. The conclusions that come from Janay’s description on ideology are that it is a very important idea that can be controversial. For example, you can have political and religious ideologies that can be offensive and racist like the BNP. The ideologies behind music videos are quite somewhat different. For example, women from this research in music videos are made to be erotic in the roles they play in music videos. For example, in the music video by Madonna- Justify my love. Madonna plays the role of a prostitute/escort and is wearing barely any clothing. The ideology and representation behind this is very stereotypical when a woman is involved in music videos.
The research I attained from star image and power was very interesting. From my research I now fully understand how star image and power actually works in the film/music industry. Nowadays agents for film/music stars are a massive part of the star image and power the individual receives. For example, Lady Gaga who has a massive fan base and reputation now for her singing and her weird choices of outfits as shown below.
She has gone right to the top of ladder for star image and power as she has so many fans and has a record label with a major company. Sean Connery who is a man that has so much star image and power mainly because of the fact that he was James Bond for several years and did several movies.




In conclusion to this whole research that has been attained on star image, power, ideology and representation they are all interlinked and are all very similar. This is due to the fact that any industry but the music industry in particular these 4 qualities are to be desired. I say this as many famous singers/actors have all these attributes because of the media and the mass market. The reputation you can gain from the media is unbelievable. For example, Madonna was given a very different reputation by the media after her controversial music video “Justify my love”. After this video Madonna gained so much star image and power that people in media had a new ideology for her and how they were going to represent this for Madonna. In the youtube video link below you can see the ideology and representation in Madonna's video.


Star Image and Power

The French film industry was the first to recognise the method of using stars to generate audience interest. After the radical reduction in power of the French film industry due to World War 1 the star system really developed in Hollywood in 1919. Mary Pickford became the first star. Charlie Chaplin soon followed. Not only could stars make money for the studios they could make big money as well provided they generated big profits for the studios. After the coming of sound there was a shift in the way that Male stars were represented whilst the position of female stars remained largely the same. Vamps / Virgins or Sex Goddesses. In this way they tended to function as objects of beauty and desire. By comparison male characters started to become more complex. They could not only be heroes but rebels or even anti-heroes. Stars contributed to the successful growth of Hollywood and its increasingly dominant position over other countries. This meant that could export their stars into the exhibition system of other countries. It also meant that Hollywood could attract the most popular European stars by outbidding any opposition. Great Garbo is a good example from the silent era.


By the end of the 1950s the star system was weakened with the collapse of the Hollywood studio system after anti-monopoly regulation and the growth of TV caused a consolidation and restructuring of the industry.
Stars were still being manufactured but there were far fewer of them. There was still fierce in country rivalry as Britain and Europe tried to create sex goddesses such as Diana Dors, Sophia Loren, Brigitte Bardot to compete with Marilyn Monroe and Jayne Mansfield.


Sophia Loren "At Home"

The creation of celebrity through different parts of the media was a crucial part of gaining and maintaining star status. The scandal potential and events coming back to haunt you cross over into star as deviant (see below). This is a recent image from the National Enquirer. Was a certain young woman really the daughter of the famous film star Sophia Loren? (Does anybody really care?)
Stars have far more than a direct capital value. Their ability to attract audiences has the ability to attract money. Getting a popular leading and fashionable star lined up for a script considerably increases the chances of getting financial backing. Films are both vehicles for stars but also genres become associated with particular stars. Fred Astaire and Ginger Rogers were iconic for the musical which was an American genre.
Star as Construct
We can understand stars as primarily constructed by the film industry, but stars are also agents in their own right and they play some part in creating the myths which float around them. Stars are also authenticated by other parts of the media but they also use these channels to help construct their chosen myths. If Marlene Dietrich was sexually charged we can see Catherine Denueve as an 'ice-maiden'.

Of course this is open to question and research. Exactly how much spectators do accept these constructions is exactly one of the realms of research which can be undertaken through qualitative research from sixth form projects on women and film to far higher academic levels.
Christine Gledhill argues that stars reach their spectators primarily through their bodies in other words their appearance. Female stars have historically bemoaned the fact that there have been few serious roles for older and more mature women. On the whole the audience dislikes the audience to age:
Curiously, the process of aging matters when it is a woman star - it recalls our own age, ageing is too real - not the 'real' we want to see. (ibid)
But is that necessarily the case? Certainly the Oscars of 2007 offer a challenge to this perception. Are things changing since Hayward first wrote this? The photograph of Helen Mirren gaining her Oscar for her leading role in Stephen Frears' The Queen signifies possible change. Below is the list of nominees from the BBC website

Best actress
Penelope Cruz, Volker
Judi Dench, Notes on a Scandal
Helen Mirren, The Queen
Meryl Streep, The Devil Wears Prada
Kate Winslet, Little Children


Three out of the five are highly regarded as actors and are clearly in the 'mature woman' category. Does this finally mean that there is the recognition of an audience who are also more mature mentally?


Does this begin to break down the traditional delineation of the star as construct with three basic parameters which Gledhill identifies?
• Star as real person
• Star as 'reel' person (on-screen character)
• Star 'persona' (combination of the above two categories)

For Richard Dyer the star image has four key components:

• What the industry releases promotionally
• What the various media critics say
• What the star says and does
• What those who make up the audiences say and do. (Lookalikes etc at one extreme). Different audiences will probably make up different meanings to the point of reading the star 'against the grain'.
Stars can become intertextual as the image gets picked up and used by others in advertising for example. A star can be seen as a constellation of meanings rather than any one single meaning.

Star as Deviant
In general the star colludes readily in the construction of them as a star led by the studio. Where there are exceptions, such as with Meryl Streep and Robert de Niro, then this resistance becomes incorporated in the essence of their stardom.
On the whole stars comply with and wish to be represented as 'normal'. There are 'lavender' weddings for example to cover up homosexuality. Star performance for gays then becomes a double masquerade.

Being a star is about excess. Excess - being larger than life- is what is specifically according to a 'star'. Without an excessive lifestyle how can they be a star? Provided this 'excess' is well managed then it is of positive value to a studio. If it becomes genuinely excessive then the 'norms of excess' are transgressed and a star can start to take on a negative value for a studion. Excess is usually in the realms of consumption (drugs alcohol) and / or sex. This threatens to expose the masquerade of stardom.

Star as Cultural Value: sign & fetish
Stars can function as signs of changing cultural value. In the 1950s American teenagers quickly took on board the look of James Dean or Marlon Brando. In Europe teenage girls mimicked Brigitte Bardot. Stars then act within wider society to precipitate new mores.

Stars can be mediators within the society as a whole. Hayward traces the changing representations of female sexuality in Hollywood to clarify the point:
• 1930s / 40s: 2 types of female eroticism - independent as good as the boys Bette Davis & Katherine Hepburn / weak vulnerable type (Vivien Leigh)
• 1950s: The independent type replaced by dutiful supporting wife as US society needed to absorb excess labour after the war or a self-parodying brunette who 'settles down' (Doris Day & Jane Russell)/ the weak vulnerable type is replaced by the 'dumb blonde' (Marilyn Monroe)
• 1960s late in the decade the more self assertive radical-liberal feminist eroticism (Jane Fonda)
These changes relate to a combination of changes in the social / political / economic conditions in society as a whole.
Star-Gazing & Performance
Audiences come with expectations of certain stars. There are basically two different

modes of acting:
• Personification
• Impersonation


Personification
Here a star plays roles in line with his or her perceived personality. They know what to expect of say the taciturn gunman Clint Eastwood, or grinning machismo bravura with Jack Nicholson.


Impersonation
These actors are far fewer in number. Meryl Streep is a good example. For those who come to see stars rather than good acting this can cause a problem. For the person concerned with impersonating a role then a sign of their excellence is the ability to 'disappear' as a star. Hayward remarks that this is the case with Meryl Streep and suggests that this is why she has usually received very mixed reactions to her performances.

Thursday, 4 November 2010

Similar Textual Analysis- Katy B- On a Mission

The establishing shot of this music video starts by showing a dark area in London and the camera fades in. We learn that the building is the O2 arena in south London which is an urban area. Urban areas are common feature with dub step music videos. For example we see the use of an urban area in the song, Wiley- never be your woman. It used to good effect to emphasise a poor deprived area in some cases. Cold weather is often associated with England and is evident in this screen shot. It could be described as being a usual autumnal weather.


We are introduced to Katy B very early on in the music video. In fact it only takes 13 seconds into the music video. In this time we learn that Katy B is in a studio as we can see electrical equipment which you would normally find in a recording studio. This connotes that the music industry makes a vast amount of money as the equipment looks very expensive. The music video shows us that Katy B is in a recording studio singing the song “on a mission”. This music video is a performance concept predominately. This is because as mentioned earlier Katy B is singing to a live audience in an arena/stadium at a concert. It could also be argued that it is also a narrative music video as there are several jumps cuts between a recording studio and her live audience.


The editing in this music video has a very fast pace to it. The editing is constantly cutting and jumping between the recording studio and a live performance with many fans inside an arena/stadium. The use of the editing is very common in a dubstep music video as the music itself is fast paced. So the editing gives the music video a more realistic look. I particularly like when it is cutting between the recording studios where Katy B is recording her song. It jumps cuts back forth for about a minute of the whole music video then the emphasis is purely on her fans in the crowd. The music video uses a lot of sound bridges in this music video. I like this as it gives a sense continuity to it. This is good as to the public it seems free flowing and very clever. But, to media students like me, I know that a lot of time and effort has gone into editing in this video to make it as good as it is. All music videos mainly use non diegetic soundtrack as it sounds much better. I say this because non diegetic soundtrack can be rehearsed over and over again to sound perfect. Otherwise, you could possibly have diegetic sound from a live performance and the artist could be having an off day and not performing to their maximum. This is why in a music video non diegetic sound I believe is much better. There a lot of different camera angles used in this particular music video. But, the most frequent is the close ups repeatedly shown to us of Katy B to show her importance and the fact that she is performing to her crowd. The camera also is tracking around the crowd very frequently to show the size of the crowd and mostly that they are all having a good time and enjoying the music.
The mise-en-scene in the music video is used to great effect. Firstly the use of lighting is great as it emphasises that a rave is going on with all the fans. Dark lighting has been used with tints of possibly red/pink. This I really good I think as the ideas have been thought through really well. The use of research for the raves taking place in this video has been done well to illustrate the lighting effect that it has on people. The mise-en-scene is very typical of a dubstep video and has been put to good use by the research team involved with making this video possible.

Representation plays a big part in this music video as it highlights some key areas. Firstly Katy B is represented as someone who has a star image. This is because she is playing to a massive audience who are all raving to her song and immensely enjoying it. The music video also shows us that gender is represented as all the members of the crowd are mainly male. From this we could say that men enjoy dubstep music more than female do from this evidence. This is a stereotypical dubstep music video as it presumes that most fans are going to be male and will also be raving with tinted colours on the camera. This stereotyping is also evident in the song I Need Air-Magnetic Man where they stereotype exactly the same as they do in Katy B’s music video. Katy B is 99% of the time always centred in the frame. This is mainly because she is the performer and the main person in this music video. This is always the case with many music videos focusing in on the main singer. Otherwise, some people may be confused about who is the main singer in that particular video.